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  <title>The Counterforce - DOUBLE DATE</title>
  <subtitle></subtitle>
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  <updated>2026-08-11T09:25:23.000-04:00</updated>
  <id>https://the-counterforce.org/tag/double-date/</id>
  <author>
    <name>The Counterforce - DOUBLE DATE</name>
  </author>
  <entry>
    <title>DOUBLE DATE - S/T</title>
    <link href="https://the-counterforce.org/double-date-st/"/>
    <updated>2026-08-11T09:25:23.000-04:00</updated>
    <published>2026-08-11T09:25:23.000-04:00</published>
    <id>https://the-counterforce.org /double-date-st/</id>
    <content type="html"><img class="post-card-image" src="https://ghost.the-counterforce.org/content/images/2026/08/double-date.jpg" alt="DOUBLE DATE - S/T"></img>&lt;p&gt;&lt;em&gt;Contributed by splendid ass&lt;/em&gt;&lt;/p&gt;&lt;p&gt;The counter-point(force?) to my post-punk woes. DOUBLE DATE’s debut is more aux cord jammed into cracked Sydney pavement than stern genuflection at what came before. Sure, I hear you yelling at the screen. Of course there are precursors and the echoes of a million post-punk outfits pinging off the edges of this tape. These are well-trodden paths, no doubt. But DOUBLE DATE sounds like they’re actually having fun walking down them. Oozing with a similar steeze that gave &lt;a href=&quot;https://perfectactress.bandcamp.com/album/perfect-actress&quot; rel=&quot;noreferrer&quot;&gt;PERFECT ACTRESS&lt;/a&gt; its oomph, DOUBLE DATE act the gracious hosts, introducing us to the Sydney idiolect via viz driving gothic freebase.&lt;/p&gt;&lt;p&gt;The bass playing here is an obvious standout, so much so that I will no doubt steal most of these ideas for my own (and far more derivative) musical ventures. Max puts on an absolute mastah class of melody and consistency, the four-stringa sketching out song structures, constructing the skeleton on which down-picked guitars and synths form the musculature. Verónica’s vox breathes life into the effigy, never forcing the issue, sitting atop it all in wonderful reverb’d disaffection.&lt;/p&gt;&lt;p&gt;This will be a release for &lt;em&gt;heads&lt;/em&gt; and something I can heartily recommend to this audience. Max’s zine/label Barely Human courageously removed itself from social media this year and has been experimenting with mail-order tapes. I hope in-particular that any Australian readers not yet familiar will familiarize themselves with his work. But regardless of your interest in the more theoretical/fictional accounts of this strangely diffused subculture we find ourselves, on tunes and vibes alone, DOUBLE DATE is worth the sniff; indicative of a DIY ethos, entirely resistant to its bastardisation into aesthetics.&lt;/p&gt;&lt;p&gt;&lt;em&gt;Released by Boom Boom Room Records, listen here: &lt;/em&gt;&lt;a href=&quot;https://boomboomroomrecords.bandcamp.com/album/bbr002-double-date-cs&quot;&gt;&lt;em&gt;https://boomboomroomrecords.bandcamp.com/album/bbr002-double-date-cs&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;figure class=&quot;kg-card kg-bookmark-card&quot;&gt;&lt;a class=&quot;kg-bookmark-container&quot; href=&quot;https://boomboomroomrecords.bandcamp.com/album/bbr002-double-date-cs&quot;&gt;&lt;div class=&quot;kg-bookmark-content&quot;&gt;&lt;div class=&quot;kg-bookmark-title&quot;&gt;BBR002: Double Date CS, by Double Date&lt;/div&gt;&lt;div class=&quot;kg-bookmark-description&quot;&gt;6 track album&lt;/div&gt;&lt;div class=&quot;kg-bookmark-metadata&quot;&gt;&lt;img class=&quot;kg-bookmark-icon&quot; src=&quot;https://ghost.the-counterforce.org/content/images/icon/a3204485145_3-02409f7873c66ff6b778c4d874062e1475018daa12a8c353d4d39008a81fe680.jpg&quot; alt=&quot;&quot; /&gt;&lt;span class=&quot;kg-bookmark-author&quot;&gt;Boom Boom Room Records&lt;/span&gt;&lt;span class=&quot;kg-bookmark-publisher&quot;&gt;L&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;kg-bookmark-thumbnail&quot;&gt;&lt;img src=&quot;https://ghost.the-counterforce.org/content/images/thumbnail/a3204485145_5-a38576973ddaadbb2ad23e69cad7eafc21dd10cdd0b90241b9995d5dc4828d90.jpg&quot; alt=&quot;&quot; onerror=&quot;this.style.display = &#39;none&#39;&quot; /&gt;&lt;/div&gt;&lt;/a&gt;&lt;/figure&gt;</content>
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