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  <title>The Counterforce - STATION MODEL VIOLENCE</title>
  <subtitle></subtitle>
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  <link href="https://the-counterforce.org/tag/station-model-violence/"/>
  
  <updated>2026-08-11T09:17:31.000-04:00</updated>
  <id>https://the-counterforce.org/tag/station-model-violence/</id>
  <author>
    <name>The Counterforce - STATION MODEL VIOLENCE</name>
  </author>
  <entry>
    <title>STATION MODEL VIOLENCE - S/T</title>
    <link href="https://the-counterforce.org/station-model-violence-st/"/>
    <updated>2026-08-11T09:17:31.000-04:00</updated>
    <published>2026-08-11T09:17:31.000-04:00</published>
    <id>https://the-counterforce.org /station-model-violence-st/</id>
    <content type="html"><img class="post-card-image" src="https://ghost.the-counterforce.org/content/images/2026/08/station-model-violence.jpg" alt="STATION MODEL VIOLENCE - S/T"></img>&lt;p&gt;&lt;em&gt;Contributed by splendid ass&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Wiry post-punk propelled by lashings of well-adjusted psychedelia… hmmm, characteristics of a record which usually have me searching for load bearing beams. STATION MODEL VIOLENCE&#39;s debut is ‘the underground’ for men over the age of 35 and with full-time jobs. It is the HOODOO GURUS for the Gen Z/Millenial threshold, a record that will offend no one and delight those who comment on YouTube videos. This S/T fiddles with a 12-string, picks one or two good ideas and charts a trajectory into the cloudless horizon. The palette draws obvious comparisons to ya JOY DIVISION’s and BRAIN ENO’s and boy oh boy do I love hearing music in 2026 that evokes JOY DIVISION and BRIAN ENO.&lt;/p&gt;&lt;p&gt;There is a familiarity to the whole thing, driven no doubt by the immense pervasiveness of post-punk. The record attempts a sort-of intellectual pint-based ambivalence, with Dan switching between lines like “learn to hate in the light of day” and “you can hear them saying, ‘hey I got the world behind me, get out my way’”. Platitudes thick, the optimism makes you squint, and the on-stage vibes are questionable yet the saxophone &lt;em&gt;does&lt;/em&gt; indeed add lots to the mix. Thank fuck for that saxophone.&lt;/p&gt;&lt;p&gt;My compulsion to critique comes from just how seriously this record takes itself. The furrowed brows, the write-up in the liner notes, the wealth of coverage around it… You would think this to be one of the greatest Australian albums of 2026. Yet I just simply do not get it. &quot;Drip Away&quot; eschews the plodding motorik gear, actually pressing on the gas a little bit and managing to achieve the same upbeat vibe that every Melbourne-based post-punk has championed since COVID. &quot;Heat&quot; has a melody reminiscent of &quot;Vad Hände Med Dem?&quot; but lacks the weariness. The promise of happiness is extremely tiresome especially when there seems to be no pleasure taken in the entire ordeal.&lt;/p&gt;&lt;p&gt;This record feels like the medium by which the dude who wears band shirts to work everyday can rhetorically ask &quot;HAVE YOU HEARD OF TOTAL CONTROL AND RMFC? DID YOU KNOW THEY USED TO BE IN TOTAL CONTROL AND RMFC? YOU SHOULD DEFINITELY LISTEN TO TOTAL CONTROL AND RMFC!&quot;. Thank you, bro. I have indeed listened to TOTAL CONTROL and RMFC. Actually, now that you mention it, I actually quite like TOTAL CONTROL and RMFC. I think I might just go listen to those records instead.&lt;/p&gt;&lt;p&gt;&lt;em&gt;Released by Static Shock and Anti Fade. Listen here: &lt;/em&gt;&lt;a href=&quot;https://stationmodelviolence.bandcamp.com/album/station-model-violence&quot;&gt;&lt;em&gt;https://stationmodelviolence.bandcamp.com/album/station-model-violence&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;figure class=&quot;kg-card kg-bookmark-card&quot;&gt;&lt;a class=&quot;kg-bookmark-container&quot; href=&quot;https://stationmodelviolence.bandcamp.com/album/station-model-violence&quot;&gt;&lt;div class=&quot;kg-bookmark-content&quot;&gt;&lt;div class=&quot;kg-bookmark-title&quot;&gt;Station Model Violence, by Station Model Violence&lt;/div&gt;&lt;div class=&quot;kg-bookmark-description&quot;&gt;10 track album&lt;/div&gt;&lt;div class=&quot;kg-bookmark-metadata&quot;&gt;&lt;img class=&quot;kg-bookmark-icon&quot; src=&quot;https://ghost.the-counterforce.org/content/images/icon/a4217277643_3-e6e322000a1d706d213b4e5b5bacd4004e0cad2abb1c50f7b563ae334c1f89b7.jpg&quot; alt=&quot;&quot; /&gt;&lt;span class=&quot;kg-bookmark-author&quot;&gt;Station Model Violence&lt;/span&gt;&lt;span class=&quot;kg-bookmark-publisher&quot;&gt;cometdust&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;kg-bookmark-thumbnail&quot;&gt;&lt;img src=&quot;https://ghost.the-counterforce.org/content/images/thumbnail/a4217277643_5-1101307ad86d8c9f5f784fd60de858b6ee5e34eff12c00109f28242164954328.jpg&quot; alt=&quot;&quot; onerror=&quot;this.style.display = &#39;none&#39;&quot; /&gt;&lt;/div&gt;&lt;/a&gt;&lt;/figure&gt;</content>
  </entry>
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