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Death of a Recording Engineer
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Death of a Recording Engineer

Anonymous submission This won't mean anything to most of y'all, but Bill Korecky passed away at the beginning of August.  Bill ran Mars Studios in Cleveland, Ohio. Through the late 1980s and 1990s, he recorded all the records by Cleveland hardcore bands (INTEGRITY, RINGWORM, FACE VALUE, and... more than one band that doesn't deserve to be named), not to mention bands from outside Cleveland like CATHARSIS and UNDYING. He recorded the "Firestorm" EP by EARTH CRSIS. He even fixed the guitar sound...

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Drums and Drummers
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Drums and Drummers

A new, possibly recurring, photo feature from Slim Bolt. This installment features THE NOT, BIG LAUGH, ZEAL, and EXTENSIVE SLAUGHTER....

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SKULLFEST 2024 OFFICIAL REPORT
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SKULLFEST 2024 OFFICIAL REPORT

I probably should have wrote this down the minute I was on my way back to Montreal, but let's argue that the high speed blur of bands, friends, merch and exotic gas stations is better hazy and half-remembered. This was my first time attending and my first time in Pittsburgh, but I had been hearing about it for years as most of us have—always considered as the top of DIY punk fests with psycho lineups and generalized chaos throughout. Not to cut suspense in the first paragraph, but it obviously d...

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TOTAL NADA USA Tour Scene Report
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TOTAL NADA USA Tour Scene Report

I accompanied Montreal's TOTAL NADA on their recent US tour as roadie/designated driver. Rather than a tedious "tour journal" what follows is a compendium of brief scene reports from everywhere we went, to the best of my recollection as well as some overall impressions from this slice of American punk in it's current state. Philly Does Philly really need a report? The show was at the speakeasy/dive bar Cousin Danny's next to the elevated train line, and I was delighted to learn that Cousin Da...

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Manifesto for The Counterforce
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Manifesto for The Counterforce

Hardcore punk as a mutual aid-based autonomous zone The hardcore punk subculture consists of people, bands, spaces and projects that perpetuate an internationally distributed autonomous zone. It is underground, existing outside the media mainstream of capitalism. Entities within this zone – bands, zines, distributors, promoters, labels, etc. – follow a largely not-for-profit, DIY (Do It Yourself) ethic to achieve common goals, either on the micro level (pulling off a show) or a macro level (the...

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